Selected Works, Artist Statement, Education, Exhibitions, Commissions, Representation
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| Korean
style sake jar 5 1/2" Tall |
Tea
Jar 5 1/2" Tall |
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| Tea
pot with bamboo handle 4 1/4" Tall |
Oil
Lamp 5 1/2" Tall |
Kathy Lee's thrown, closed forms are altered by paddling; the "no-drip" spouts are formed on the pot then removed, cut, hollowed and reattached; lids are cut; and hand-shaped knobs and feet are added. the resulting pots, while being fully functional and influenced by the East/West tradition of Shoji Hamada and Bernard Leach, also acquire the precious quality found in weather-worn and smoothed beach pebbles, shells and driftwood. They ask to be held and used.
Ms. Lee was born in 1933 in Bookings, South Dakota. It was not until 1970, however, while living with her family for a year in Denmark, that she first touched clay. A neighbor, Danish potter Mette Harning, loaned her a copy of Bernard Leach's "A Potter's Book", and invited Ms. Lee to spend several hours a week using the kick-wheel in her studio.
After returning to Philadelphia, Ms. Lee became affiliated with the Cheltenham Art Center studying with Syd Carpenter and Elyse Saperstein, as well as attending Temple University's Tyler School of Art. She was a member of the Cheltenham Clay Guild until her husband's death in 1989. Ms. Lee moved to Eugene in 1989 and has been a member of the Club Mud Clay Guild at Maude Kern's Art Center since 1994. She has attended hands-on workshops with potters including Warren McKenzie, Clary Illian, Michael Simon, Joe Bennion, David Shaner, and Doug Casebeer.
No toxic materials are used in making these pots. They are fired primarily in a reduction atmosphere to a temperature of 230 degrees F. The work is stamped with a "K", superimposed over an "L".
| 1998 - 2004 |
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| 1997 - 98 |
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| 1995 - Present |
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| 1986 |
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| 1981 |
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| 1980 |
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| 1976 |
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Copyright Restrictions : All images are provided for reference only and may not be reproduced without permission.