Tajima Hiroyuki
1911 - 1984

Selected Works, Biography, Works in Chronology Order

The White Lotus Gallery has an extensive collection of Tajima woodblock prints. Included on this page is a sample of of the print we have available.

Selected available works

anexile.jpg (2867 bytes)
An Exile
1972
1 of 50
Blue Way B
1968
3 of 80
The Clown Called Deserter
1972
5 of 100
EmotionalSeason.jpg (1777 bytes) FutileWorld.jpg (4582 bytes) LineUpCountryE.jpg (3045 bytes)
Emotional Season
1970
2 of 50
Futile World
1973
10 of 50
Line up Country E
1968
15 of 100
Lori
1969
21 of 50
Route for Saga
1968
1 of 80
Safarino
1962
13 of 20
SeriousClown.jpg (3531 bytes) ShadowOfAShade.jpg (2393 bytes) StoneFace.jpg (4675 bytes)
Serious Clown
1972
1 of 100
Shadow of a Shade
1967
3 of 50
Stone Face
1975
14 of 50
VestiguinVacuiF.jpg (4591 bytes) WhiteWallB.jpg (4128 bytes) WindErosionB.jpg (3105 bytes)
Vestigium Vacui F
1965
5 of 50
White Wall B
1979
2 of 50
Wind Erosion B
1968
1 of 50
YellowPilo.jpg (4332 bytes)
Window of the Temple
1968
1 of 80
Yellow Pilo
1970
11 of 50

You may also see the works in chronological order by selecting this link.

 

Biography:

Tajima Hiroyuki was born in Tokyo Japan in 1911.  In 1932 he graduated from Nihon University and in 1943 from the Western-style painting division of the Tokyo School of Fine Arts.  Tajima had a great interest in the Western dada and surrealist styles.  He received further training on mokuhan from Nagase Yoshi, one of the earliest Sosaku Hanga artists and on fabric dyeing from Hirakawa Matsugoro.

The artist made his first print in 1946, the same year he joined the Bijutsu Bunka Kyokai, a group instrumental in bringing abstract and surrealist painting back to Japan after the war.  In the 1960s and 1970s Tajima developed his well-known abstract style of prints made of dense rich pigments on complex surfaces formed by building the block up with various materials.  His prints were inspired by the ideals of East Asian calligraphy, traditional Japanese painting structures and a sense of space influenced by Zen Buddhist beliefs.  In 1963 Tajima became a member of the Nihon Hanga Kyokai, the Japanese Print Association.  In 1964 his work was shown in the Tokyo Biennale as well as in international competitions.  Tajima also produced landscape prints under the name of Nagai Kiyoshi.

*Information comes from Guide to Modern Japanese Woodblock Prints: 1900 – 1975 by Helen Merritt and Nanako Yamada and Modern Japanese Prints 1912 – 1989, by Lawrence Smith

 

Copyright Restrictions : All images are provided for reference only and may not be reproduced without permission.